Rühl, which later merged into the Berthold foundry which distributed and sold the letters to print shops throughout Europe. The letter was cut in 1910 at a small letter foundry in Leipzig called C.F. Within about two years, Frank completed the design: a set of 27 Hebrew letters in one weight. In 1908, he was commissioned by Leipzig University’s “Evangelical Society for the Publication of Scripture” to design a Hebrew font to be used for secular Hebrew texts. Thanks to his understanding of various languages and his training as a scribe, he worked in calligraphy and font design. In 1903 he moved to the city of Leipzig with his wife and two children and served as the chief cantor of the Jewish community.
![hebrew font hebrew font](https://i.pinimg.com/736x/c6/66/72/c66672110b6f5ce7c2d62fdc253a308e--hebrew-font-hebrew-tattoo.jpg)
During his academic studies in Cologne, he became attracted to the Hebrew language and Hebrew music. Rafael Frank was born 150 years ago (on March 11, 1867) in the German city of Ichenhausen, the son of an antique dealer. He knew how these letters of such distinct character and personality carry tradition and memory alongside deep layers of Jewish culture and history. Alterman understood the power of the letter, and why Frank-Rühl represents the very forces and values he sought to reinforce. Despite the detailed description, such a headline has never been prepared or printed. The poem was written in May 1945, as part of his weekly column in "Davar" (Hebrew newspaper). This is how Alterman seeks to describe the labor of the printing press worker when arranging the dramatic headline announcing the fall of Berlin, including the first and informal news of Hitler's death.
![hebrew font hebrew font](https://cdn11.bigcommerce.com/s-zlmkuux2/images/stencil/1280x1280/products/7452/17655/RT2244__18483.1529507523.jpg)
In “The Headline” (Hebrew poem), the font that was used is Frank-Rühl.